Paintings

Sojourn Through Ambient Spaces – print pdf

My painting is an amalgamation of my education in architecture and a love of abstract expressionist & modern movements. I create narrative and symbolic work that often speaks to humankind’s overreach in the natural world. I draw inspiration from the concept of Psychogeography by the Situationists, and in my paintings often depict emotional cityscapes that blur the lines between place and mind. 

The Dancer, 2025 16×20″
Walk Don’t Ride, 2025, 16×20″
Horsefly, 2025 12×12″
Swan, 2025 12×12″
Hare, 2025 12×12″
Minotaur, 2025 12×12″
Clad in Lumens, 2025 60″x80″
Garnish Belt, 2025 60″x80″
Mote in Eye, 2025 60″x80″
Radical Reconstruction I, 2025 24″x24″
Radical Reconstruction II, 2025 24″x24″
Radical Reconstruction III, 2025 24″x24″
Building Model, 2025 oil & latex on canvas
Radio Bloom, 2025 oil and latex on canvas
Let Go, 2025 oil & latex on canvas
Radio Tower I, 2025 36″x36″
Radio Tower II, 2025 36″x36″
Radio Tower III, 2025 36″x36″

Canus with Basalts, 2024
Rattus with Basalts, 2024
Cervus with Basalts, 2024
Cathedral for the Damaged Piano, 2024
The Listeners, Tusk Piano, 2024
Theater for Lizards, 2024
Cavern for Wind Piano, 2024
The Listeners, Mantis Piano, 2024
The Listeners, Spring Piano, 2024
Meat Wagon, 2024 30×40″
Spoiled Rotten, 2024 30×40″
Stare Miasto I, 2024 | 60″x48″ oil on canvas

Some of my past commissions include large-format oil and acrylic works with a similar visual arrangement, and include dreamscapes with their own native flora, fauna and geologies.

To inquire about purchasing a painting, please email mattjboyle1(at)gmail

Artist Statement

My work often involves anatomy, architecture, and nature, juxtaposed in unfamiliar landscapes, hinting at a vast shift in natural norms and a merging of self and place. I am obsessed with time’s effect on our own buildings, bodies, and nature, and thus my work often imagines the mark humankind leaves on the planet, both now and in the future. 

I explore abstract expressionist object/field relationships hinting at urban vocabularies, both physically and psychologically.  Inspired by the poetic works of the Situationists, John Hejduk & Lebbeus Woods, and the visual artwork of contemporary artists like Julie Mehetru, Marigold Santos, & Rajni Perera, I seek to create mythologies surrounding my work, accompanied by specific visual vocabularies. 

Painting in oil and acrylic, my work is a culmination of intense layering, and masking. Mimicking the relentless architectural reconfiguring of our own cities, my layers of paint often hide/reveal conceptual underlayers while marrying strict geometric lines with more loose, gestural forms. In my most recent series, I employ new tools and mediums in order to paint more like I draw – without inhibition, and with more variance in line weights and scale.